Unseen Light Learning Curve.

Infrared (IR) images have been something I have been working towards for a little while now. This time last year I set myself a goal to own and know how to use an IR camera. That dream is now a reality but it has come at a cost.

Combined-comparison-webI fell in love with the image capability IR can give with a cheap IR filter. I had to have my own real IR camera. Not only Is it harder to find a camera with IR capability but you also need to learn through trial and error how to control such a camera. You would think that knowing how to use a normal camera in your sleep would be enough but the truth of the matter is it’s much more complex than that.

Problem one was once I had bought a camera I wanted converted I needed to get it done. There is a couple of places that are highly recommended like LifePixel (now Kolari Vision) but they are over in America and for an Australian artist the cost can be hard to cover.

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So next would be an Australian company. If you are a little fussy with how far you are willing to send your camera from you then this could also be a tricky one. The only store I have found that is highly recommended in Aus is Camera Clinic down in Collingwood Victoria. The only other options you have are those small dodgy ones over on Ebay who are cheaper.

So you cringe a little at ether forking out more for a recommended conversion house or getting it done cheaper through ebay and hoping you don’t pick a bad egg.

IMG_0047Next you have to choose what type of conversion you want. See there is not just one standard conversion for IR like there is for Ultraviolet and normal visible light. Questions you need to be able to answer are things like, what conversion do you want? The answers to this depend on your own likes. I found Kolari Vision has a great write up on the types. I don’t like the weird color you gain from the likes of false color or lower nanometers (NM) and so I went with a “Deep Black and White Filter” that is an 830nm filter.

Now the hype hits you. All you have left is to wait for your new camera. You start looking on the web at all the amazing images people have taken with your chosen filter. you get the camera back home, take it out on the first ideal day and BAM your dreams are shot down. Maybe you can’t get exposure right, or maybe it’s blurry, or heaven forbid you can’t find something great to shoot.

This is where I was at about six months ago. New camera in hand and I just had to plunder through with trial and error. I was prepared for this to some extent but it was like you had turned up to do a course on your camera and the teachers didn’t know what to do. This thrilled me but I found I had to sink a lot of hours into the camera before I could just take it out and shoot what I wanted quickly.

 

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Visible Veins, Zombie eyes, slight see through top

I broke it down into parts. 1) Green is my new white so that must be exposed correctly. 2) Sky is supposed to be black or mostly black. 3) Skin is supposed to be white not grey or with veins visible. 4) Hotspots, dead looking eyes (Zombie Eyes) and overly soft edges are not good 5) Editing is harder and takes more time 6) Clothing does not mean you are covered in the final picture.

The next six months I learnt how to control the outcome of my images. After many hours, notes, failed images and tears I got a feel for what I needed to do. I am sure my husband hates the fact I got my IR camera. I have had it all about that camera since I got it. There is no real one way to use these cameras. They are so unique and even how one camera interacts with the same lens at different aperture and stuff your whole image. If there was ever a camera you needed 10,000 hours on to master I would have to say this is it.

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I am far from a master at this point in time but I am also well on my way to mastering the camera I have fallen in love with as well.

 

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“I am..” a series about a feeling.

I published a preview on my facebook page about this series as I like to do to find out what people think. It didn’t take long to have people miss understand what the images were saying at all.  Some took it as I was just my condition while others just could not understand the concept at all. This is normal and I am glad people are talking about the image. That means I am doing my job.

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For those interested in why this series has come about in my mind please read the Medical Criminals post on this blog and for those who are interested in the things I hope to achieve in this series strap yourselves in and enjoy the next instalment in my mind.

This series has been a full on process for something I was hoping would be a smaller project. I was originally planning on doing it as close to accurate as I could to real life.

Lesson one was learned right here. Just because it is accurate does not mean you will create an effective image. For example the board is not held by the person in the photo but is off to the side. While this is accurate information it creates a sense of space from the subject and I didn’t want that at all. I want the disability to ‘own’ the person so this needed to be changed.

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Lesson two was a close second. It is much easier to connect with models than with real sufferers. I wanted this series to be made up of people who suffer the illness mentioned and a lot of the time these people are not comfortable doing this kind of project until they have seen all the information and proof pictures for such a series. They take care due to the subject but the effect is so much more powerful with a diverse range. Oh and for the record kids can be interesting to work with but having treats or toys for them to play with after the shoot help lots.

Lesson three came in post production of the pilot image. I started editing and then realised that my polished format on the last series should not carry over to this series. I mean how often do you see a flawless prison photo? There is always slight washed out or slight dark photo, there is often little consistency in the type of people in the images and lets face it if the people pictured were perfect they would never have been caught. So how can I show this in my images? How about a botch image? The lines are not straight or measured properly, they don’t match, the illness name has been added in post production and done clearly so you can see the lack of truthfulness in each image.

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The series is not about the truth or about what outsiders see looking at a person with one of these illnesses. This series is about how a sufferer can feel about their illness. I do know not all of us fighting invisible illnesses think we are seen like this however I do know some of us at times do.

I am risking doing negative things to my artistic merit doing these things in lesson three but I believe that these changes for this particular series increase the message I am trying to send. Any artist could do these things yes but tell me what other artist has already?