Unseen Light Learning Curve.

Infrared (IR) images have been something I have been working towards for a little while now. This time last year I set myself a goal to own and know how to use an IR camera. That dream is now a reality but it has come at a cost.

Combined-comparison-webI fell in love with the image capability IR can give with a cheap IR filter. I had to have my own real IR camera. Not only Is it harder to find a camera with IR capability but you also need to learn through trial and error how to control such a camera. You would think that knowing how to use a normal camera in your sleep would be enough but the truth of the matter is it’s much more complex than that.

Problem one was once I had bought a camera I wanted converted I needed to get it done. There is a couple of places that are highly recommended like LifePixel (now Kolari Vision) but they are over in America and for an Australian artist the cost can be hard to cover.

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So next would be an Australian company. If you are a little fussy with how far you are willing to send your camera from you then this could also be a tricky one. The only store I have found that is highly recommended in Aus is Camera Clinic down in Collingwood Victoria. The only other options you have are those small dodgy ones over on Ebay who are cheaper.

So you cringe a little at ether forking out more for a recommended conversion house or getting it done cheaper through ebay and hoping you don’t pick a bad egg.

IMG_0047Next you have to choose what type of conversion you want. See there is not just one standard conversion for IR like there is for Ultraviolet and normal visible light. Questions you need to be able to answer are things like, what conversion do you want? The answers to this depend on your own likes. I found Kolari Vision has a great write up on the types. I don’t like the weird color you gain from the likes of false color or lower nanometers (NM) and so I went with a “Deep Black and White Filter” that is an 830nm filter.

Now the hype hits you. All you have left is to wait for your new camera. You start looking on the web at all the amazing images people have taken with your chosen filter. you get the camera back home, take it out on the first ideal day and BAM your dreams are shot down. Maybe you can’t get exposure right, or maybe it’s blurry, or heaven forbid you can’t find something great to shoot.

This is where I was at about six months ago. New camera in hand and I just had to plunder through with trial and error. I was prepared for this to some extent but it was like you had turned up to do a course on your camera and the teachers didn’t know what to do. This thrilled me but I found I had to sink a lot of hours into the camera before I could just take it out and shoot what I wanted quickly.

 

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Visible Veins, Zombie eyes, slight see through top

I broke it down into parts. 1) Green is my new white so that must be exposed correctly. 2) Sky is supposed to be black or mostly black. 3) Skin is supposed to be white not grey or with veins visible. 4) Hotspots, dead looking eyes (Zombie Eyes) and overly soft edges are not good 5) Editing is harder and takes more time 6) Clothing does not mean you are covered in the final picture.

The next six months I learnt how to control the outcome of my images. After many hours, notes, failed images and tears I got a feel for what I needed to do. I am sure my husband hates the fact I got my IR camera. I have had it all about that camera since I got it. There is no real one way to use these cameras. They are so unique and even how one camera interacts with the same lens at different aperture and stuff your whole image. If there was ever a camera you needed 10,000 hours on to master I would have to say this is it.

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I am far from a master at this point in time but I am also well on my way to mastering the camera I have fallen in love with as well.

 

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Product tables and reflections

That amazing time of year! The time we all hold our breath and hope the tax man likes us enough to give us enough tax back for what ever it is we want at the time.  For me this was some new equipment and what do you know I was lucky this year. So after a little looking and a lot of planning I had enough to splurge on a new set of lights. In combination with my new product table that had been given to me for an early birthday and Christmas present.

My son has been asking me for a shoot with his skull money box for a while now and I had told him sure, when I get the new table we can. But alas I had miss read the description of my table and it was a non-reflective table. ( a little part of me had dead when I realized) But this could be fixed. A trip to Imageplastics in Padstow NSW set my happily on my way again.

It felt like a lifetime ago that I had been working with a product table and had forgotten something. The first photo I took was lacking the reflection, the second not much better and the third too. What on earth was I doing wrong? I had my light set up under the table and it had a low intensity too but I just could not get a good reflection like I did as a student.

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It took a good few minuets to think back long and hard about it until it dawned on me. We were using two lights not one when I was a student. One from the back and one from the bottom. Maybe it was the back light that caused the reflection so clear. Well worth a try if i am to deliver on my promise to my son I thought. So moving the light and keeping an eye on the time for being a mum I worked on my reflection dilemmas. Light had always seemed to fall into place for me so I was to say the least a little flustered at myself for not getting it within the first few shots. Then taking the next shot showed me a miracle. The reflection was much stronger now.

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So light manipulation is not just a throw here and laugh a bit. The angle and intensity is so important even for a simple little shot like this flower. I had a reflector underneath the table at one point too but found that the more intense light underneath the table was making the reflection less pronounced so took it away. The light underneath the table works against getting a nice reflection on the table. It’s all about the back light not the under light. This valued realization needs to be stored some place more than just my mind and so I hope now it will help you too.